Photos and Audio from Legendary The Who Performance at the Boston Tea Party, November 1969.5/21/2012
The Who plays "Tommy" at Boston Tea Party..Thanks to John Visnaskas and Jim Kozlowski for sharing their audio and photos of the Who at the Boston Tea Party. Click to for excerpt from "Pinball Wizard" live at Boston Tea Party, November 1969:Paul Adams has handled the restoration and digitization of hundreds of hours of audio tape for "The American Revolution." Working with audio tape, much of which has not been played in four decades, has been a technical challenge. We asked him what some of the most frequently asked questions are that he has been asked about the project:
1) What is the restoration work that is being done on the project? What were the challenges.? As with many busy radio stations, a tape archive of material was not kept. Therefore, when the documentary went into production in 2006, it became an "open source" project (later called "crowd sourced") where audio recordings of the station came to us from many contributors. Some were 10" metal reels from WBCN on-air staff, along with tapes from station listeners who taped WBCN off the air, and captured many moments that were not known to exist on tape anywhere else. Understandably, the condition of the tapes we received varied greatly. Due to their age and sometimes less than optimum storage conditions (heat, cold, humidity), tapes were often either sticky, or badly warped. The sticky tapes were baked in a special heating unit to dry them out before playback. Many of the reels had splices in them, because cutting up the tape with a razor blade, and then taping the pieces together was how tape was edited back then. In many case, the splices had dried out, which caused the tapes to fall apart when playing back or rewinding. I had to replace most tape splices and then put the tapes back together again. There were some important recordings where the tape had been unevenly wound on the reel for decades and therefore the tape was very wavy. A proper transfer could not occur without somehow flattening the tape. I took the simplest approach to the problem. I applied pressure to the tape as it passed over the play head with either my finger or a q-tip. This kept the tape laying flat enough to play back one more time. Cassette tapes were sometimes more challenging, because cassette recording was fairly new at the time (cassettes were introduced around 1970.) Many of the cassettes we received were broken, had warped or dried out tape shells, and often times the tiny pressure pad made of felt had dried out or had fallen out. My first step was to pry the cassettes apart, transplant the tape into a new plastic shell, and splice them back together in the process. For the documentary we acquired and had restored what many think is the best cassette tape deck ever made: the Nakamichi CR-7. This deck has a unique ability to adjust the placement of the tape playback head, called an azimuth control. This allowed me to carefully adjust the alignment of the playback head to match the audio track on the tape cassette. This was critical, as many tape cassettes were recorded with the record heads in different locations on the tape, resulting in an audio signal on the tape that is way out of alignment. Thanks to the Nakamichi cassette deck, when playing tapes that sounded flat and muddy on other cassette playback machines, I was able to adjust the playback head to match the alignment of the decks they were recorded on. Some of the cassettes were sticky as well. Some did not respond to the usual baking methods. After hours of baking some, they were still squealing, which caused the audio to break up and sound like nails on a chalkboard. After consulting with some well-known audio engineer friends, we came up with a rather creative solution: applying tiny pieces of Teflon tape to key areas in the tape transport path! It seemed pretty extreme, but it actually worked quite well. As a result, cassettes that were otherwise unplayable, glided through like new and played back well! Not surprisingly, as a result I went through many bottles of tape head cleaner, and enough cotton tipped cleaning swabs to build a fort with! 2) What were some of the biggest challenges that you faced? Besides the challenges of getting the tapes to play back, many of them also had audio levels that were all over the map, as well as segments that were spliced into the reels backwards! I had to constantly adjust volume levels, and often had to digitize tapes in segments. I was able to digitize the tapes backwards, and then "flip" them later using the computer rather than having to turn the tape around during playback. Also, many of the reels were unlabeled or incorrectly labeled. We had box-loads of recordings that we had no idea what was on the tapes! Producer Bill Lichtenstein and I spent an entire day in my studio pulling out "mystery tapes" that had been shared with us, and putting them on to see what they were. There were many "jaw dropping" moments when we put on a beat up old tape reel to discover it was a one of a kind sound recording of a radio show or a live concert that had aired over the radio station! 3) How much of what you do is art and how much is science? I am not sure if you could call the restoration work I do "art" but there is a lot of science to it. Understanding the physics of old magnetic tape recordings is critical for coming up with solutions to bringing them back to playable condition without harming or destroying the tapes in the process. I spend many many hours online doing research. Wikipedia and many other websites provide me with a lot of historical information about old sound recordings. There are White Papers from the Library of Congress that contain tape archive methods and standards. The White Papers can get quite technical, and you need to get out a calculator and pocket protector to understand them! I am an active member of several audio engineer online forums where we post messages to each other. It's great because I can reach out to retired audio engineers twice my age whom invented and worked with audio tape for decades. Many are happy to share what they did in the "old days." They often provide valuable insights as to how the recordings were done, and often give me the names and phone numbers of associates whom share even more information with me, and I have spent many delightful hours chatting on the phone with sound engineers. I can't take credit for everything that I do, as it's often the result of combining ideas and "tricks" I learned from those whom came before me. I take what I have learned about old sound recording technology, and combine it with my information technology background to bridge the two. I can then preserve the precious audio contained on these reels to modern digital audio files. From here, anything can be done with them. Most importantly, it's now easy to make duplicate copies of the digital files without any generation loss. Copies of the files can be stored in multiple locations on various digital media to ensure the recording will not be lost. 4) What else would be interesting to people? I think people would be fascinated to know just how much human history is preserved on these old sound recordings. Its so critical for them to be salvaged! Sadly not everyone understands this and consider them "old junk" because they no longer have the equipment to play them back.Therefore many important recordings are not cared for or simply thrown out. It breaks my heart when I hear horror stories of record labels, libraries, and college archives who want to save money and space and toss out old master tapes! Staff members at at a major record label archive once saved original recordings of Louis Armstrong and others from the dumpster! (See: Bit.Ly/tapearchives) Now they are out on CD for the world to enjoy. We are very thankful that many individuals had the foresight to kept these tapes from WBCN and other sources all these years, because otherwise the "The American Revolution" documentary could not happen! What good would be a silent film about a radio station?! Former WBCN News Director and Program Director Norm Winer Interviewed for "The American Revolution"5/15/2012
We just got copies of the original first three audio tape masters containing commercials from the early days of WBCN, including ads for such sponsors as Buzzy's Roast Beef, Phreque Boutique, and the station's first advertiser, Dan Beach's Stop, Look and Listen, with an ad featuring Livingston Taylor. The tapes will be restored and digitized and used in "The American Revolution" as well as made available publicly in the project's archives. Thank goodness the directions on the boxes were taken seriously ("Do Not Erase!"), and thanks to Sam Kopper for sharing them.
The Richard Nixon Library of all places has shared with us for The American Revolution video news coverage chronicling the surge of Vietnam war protests around the country, including in Boston, where 100,000 people gathered (the largest turnout of any city) for the October 15, 1969 anti-Vietnam War Moratorium, and this rousing 1971 speech by a young Vietnam vetaran, John Kerry.
"Lichtenstein and his colleagues have designed a production approach that leverages the public’s participation in the media-making process and serves as a wonderful demonstration of how fair use and crowdsourcing can successfully enhance a documentary production..." To read more click here.
Congratulations to John Fosberry of Gloucester, MA for being selected as the KickstartWBCN donor to win a real gold record! The album is Little Creatures by Talking Heads.
Production stills from interviews for "The American Revolution." Feb. 25, 2012. From top left: cameraman Boyd Estus, producer Bill Lichtenstein, former WBCN announcer Ron Della Chiesa; top center: Lichtenstein and Della Chiesa; top right: former WBCN announcer and general manager Al Perry and Della Chiesa; bottom left: Estus; bottom center: Della Chiesa, bottom right: Estus. (Photos by Jay Rooney.)
"Boston Rocks: How four decades of BU students turned up the volume," by Brett Milano. Aerosmith circa 1973. --------------------------------------------------------------------------------------------------------------- It was an unlikely spawning ground for one of the most successful bands in the history of rock and roll. In the spring of 1970, an apartment at 1325 Commonwealth Avenue — a building owned by Boston University — was rented to five guys who didn’t exactly go to college. They somehow managed to cough up the $300 rent each month to share three bedrooms and one bathroom, stacking guitars and amps along all available wall space. None of them had day jobs, so they spent all their waking hours writing songs and rehearsing, pausing only to catch The Three Stooges on TV. For anyone attending BU at the time, they were a hard band to miss: they could be seen playing the George Sherman Union and dormitory quads between shows at other unspectacular venues, such as the Franklin Park Zoo, naval bases, and area high schools. For years survival depended on taking any gig that came along. And any student who got through BU at the time without hearing their music has certainly heard them since: they’re called Aerosmith. (Click here to read rest of article). This was just was just one of the amazing comments and supporters of our KickstartWBCN funding campaign. Thanks again to all for what was a truly miraculous month. Back in the day, radio commercials produced by Michael Fremer, airing on WBCN, for advertisers like record stores Cheap Thrills and Music City, and The Real Paper, were the weekly talk of the town. You can hear some examples below. It's why we were thrilled that Michael did his first radio spot in 30 years, for "The American Revolution," airing on the Free Form 'BCN HD channel and on-line. .Michael Fremer for "The American Revolution" and KickstartWBCN.comMichael Fremer radio spot for K&L Sound.Michael Fremer radio spot for The Real Paper.New England Patriot's President Jonathan Kraft Gives a Huge Shout-Out to KickstartWBCN and The American Revolution on his Pre-Game Show. Click here to listen:It was an amazing weekend for the www.KickstartWBCN.com campaign and our documentary film "The American Revolution."
New England Patriots president (and "The American Revolution" backer) Jonathan Kraft gave a huge shout-out to the documentary film about the early days of WBCN on his pre-game show. Thanks to Jonathan and the Kraft family for their support of "The American Revolution" and the KickstartWBCN campaign. Aerosmith, "I Ain't Got You," live on WBCN from Paul's Mall, March 20, 1973 (click below to play)On March 20, 1973, only weeks after their first album was released, Aerosmith played the legendary music club Paul's Mall, in the basement of 733 Boylston Street in Boston. The performance, featuring a 24-year old Steven Tyler, was broadcast live on WBCN-FM, and the band was introduced by station announcer Maxanne Sartori, whose airplay of the group would later be credited with launching them. It would be the first time that most radio listeners had heard Aerosmith. One of the songs they performed was "I Ain't Got You," the Jimmy Reed song popularized by the Yardbirds. Tank Pitches for "The American Revolution" Click to listen.WBCN's Charles Laquidara, Sam Kopper, Bill Lichtenstein and sports savant Tank, "Occupied (in a nice way) WMBR" today to talk about the legendary underground days of the free-form radio station, and about the "Kickstart The American Revolution" fund raising campaign. We raised $1,200 total for the non-profit production, as Tank offered this funding appeal for the documentary film (above), as if it were a sporting event, with 26 minutes left in the show. ... You can hear the show in its entirety below. If you haven't made a tax-deductible pledge, please consider making one now, at KickstartWBCN.com "The American Revolution" (Laquidara, Kopper, Lichtenstein) Occupy (in a nice way) WMBR-FM"The American Revolution" is still a year away from being released, but according to the figures from this site, we are getting an average of 200 Unique Visitors and Page Views a day. Number one searched term this week? "Jim Parry."
Framing ’BCN’s legend |
The Making of "The
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